Love & Information
by Caryl Churchill
Theatre Works | 2025
Director Belle Hansen
Set Design Harry Gill
Lighting Design Sidney Younger
Sound Design & Composition Jack Burmeister
Projection Design Hannah Jennings
Photography Steven Mitchel Wright
Press
"The sound design and composition is by Jack Burmeister, and it might be the most memorable aspect of the show. The two hour production is scored the entire way through, with additional sound design and effects used to great effect." - Greg Gorton, Theatre Travels
"Jack Burmeister’s sound design and original compositions are a standout. He weaves a subtle through-line into the score, giving scenes their own identity while maintaining a cohesive thread that holds this together. It demands our attention but never impedes the performances." - Myron My, My Melbourne Arts
"Sound designer Jack Burmeister supplies sound for phenomena no one understands, but he also has had the enormous task of providing musical touches for just about all the multiple scenes – and he achieve that with great subtlety, each selection so appropriate that they enhance and never distract." - Michael Brindley, Stage Whispers
"A gorgeous accompanying sound design by Jack Burmeister helps keep these seemingly disparate pieces at times from losing cohesion." - June Collins, Australian Arts Review
"Supporting and weaving its way through the production is a sound design by Jack Burmeister. It’s an accomplished soundscape that underpins the emotional beats and flows through the many changes of the show. Burmeister is clearly cooking with a cinematic approach to the score." - Chris Hocking, Theatre Matters
"Jack Burmeister’s sound and composition evoke the golden age of Hollywood with music inspired by Gershwin. At times, the soundtrack dances alongside the action, punctuating moments of tenderness or humour and making the transitions between vignettes feel seamless." - Megan Davis, Whats The Show
"The production’s musical score was particularly effective — underscoring the emotional undercurrents in a play that can sometimes feel abstract. In fact, the music served as something of an emotional throughline in place of a traditional narrative arc." - Roger One, TAGG
